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FYOS - Telenovelas 2022

This is a class blog run by Dr. Carolina Acosta-Alzuru and her students in the First Year Seminar about Telenovelas at the University of Georgia during Spring 2022

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Censorship in Telenovelas

Posted by Kaitlyn Doyle on February 24, 2022

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The contribution of music to the plot in Rosario Tijeras

Posted by Bettina Lin on February 23, 2022

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The strength of Teresa Mendoza

Posted by Lily Cho on February 23, 2022

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Remakes and It's Purpose

Posted by Nicole Montes de Oca on February 23, 2022

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Sexism in Monarca

Posted by Brynn Wacter on February 23, 2022

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Why La Reina Del Sur has such high production values

Posted by Priya Nayak on February 23, 2022

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Crescendo That Matters

Posted by Amy Zureich on February 23, 2022

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Love and Death in "Quien Mato a Sara"

Posted by Kaya G on February 23, 2022

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The Language of the Soul

Posted by Haley Whitehead on February 23, 2022

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How Music affects Telenovelas: Specifically in Ingobernable

Posted by Sofia Mears on February 23, 2022

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Typology and La Reina del Sur

Posted by Rebecca Coffee on February 21, 2022

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Male Superiority Complex in Telenovelas

Posted by Zoey Phillips on February 18, 2022

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Brave Writers Impacting the World

Posted by Kaitlyn Doyle on February 12, 2022

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